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The Gift of Music | CDs | Hymns & Choral | Music for Great Cathedrals
Great Choral Anthems
Hymns for All Seasons
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Music for Great CathedralsChoral music of the past - sounds of soaring voices reflect the architecture of Britain's medieval cathedrals, coloured by light from the late afternoon sun through a stained glass window.1 Laudibus in Sanctis William Byrd (1543-1623)2 Ave Verum Corpus William Byrd3 Gloria in Excelsis Thomas Weelkes (1576-1623)4 Agnus Dei John Taverner (c.1490-1545)5 O Lord in Thy Wrath Orlando Gibbons (1583-1625)6 Sing Joyfully William Byrd7 Agnus Dei Christopher Tye (c.1505-1572)8 Sanctus John Taverner9 In Manus Thomas Tallis (c.1505-1585)10 Magnificat Thomas Tomkins (1572-1656)11 Alleluia Thomas Weelkes12 When David Heard Thomas Weelkes13 O clap your hands Orlando GibbonsEnglish RenaissanceDirected by Michael StoddartSophie Decaudaveine, Rebecca OckendenRichard Furstenheim, Michael StoddartAndrew Austins, Adrian ShawRichard Lea, Patrick Ardagh-WalterProgramme includes live recordingsProduced by David Trendell and Michael StoddartLicensed from English RenaissanceCCL CDG 1051This compilation P & C 2003 Classical Communications LtdMade in Great BritainFor further details of The Gift of MusicPlease contact Classical CommunicationsWorton, Oxfordshire, OX29 4SZTel +44 (0) 1865 882920E-mail email@example.comInside book:The English had a special way with music. It was in their blood, and, in medieval times their choirs and composers were the envy of the world. The so-called 'contenance angloise', the smooth, mellifluous style cultivated by the generations of English composers a few years earlier than those whose works are heard on this album, was admired and widely imitated throughout Europe. Taverner, Tallis and Tye composed music in the main during the earlier part of the sixteenth century. Their music was heard by Henry VIII, in royal chapels and cathedrals, and later by Queen Elizabeth (see CCL CDG1052). They were active in London, Lincolnshire and Oxford. Taverner left Boston in Lincolnshire to become the first choirmaster at the magnificent new college and church built in Oxford by Cardinal Wolsey, which is now known as Christ Church college and cathedral.Tallis was a favourite composer of Queen Elizabeth, and, like William Byrd, composed sacred music with both Latin and English texts, reflecting accurately in his works the constantly changing political and religious undertones of a turbulent century. Byrd and Tallis were amongst the first to be granted a royal licence to publish their music. Byrd, too, had Lincolnshire connections and was organist at Lincoln cathedral for some time. Thomas Tomkins and Orlando Gibbons were of the next generation, and their music making was really a seventeenth century affair. Gibbons (who played the organ at Westminster Abbey) had the more modern outlook, and seemed aware in his music of developments in Venice and Rome. But Tomkins (who worked at St David's cathedral) stuck to his old-fashioned style throughout his long life, writing music largely similar to his early works even as his world, of royalty and patronage, of church and state, was falling apart around him, when Charles I was executed in 1649.
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